The thing I like about ExposedDC is that they’ve been consistent in seeking to show the DMV area “not as a political venue or tourist destination, but as a place where we live and work and love every day.” Most people outside of D.C. only have one view of the city; we are not an either/or proposition.
Tomorrow night’s opening reception will showcase 49 images of D.C. by mostly local photographers at Long View Gallery. Expect a wide range of genres, quality and subject matter. Also expect affordable art that supports local artists; a win-win proposition.
Show runs from March 19 to April 6, 2014, with opening night reception on Wednesday, March 19, 2014 from 6-10pm. Tickets are $15 in advance, $20 at the door. Afterparty at The Passenger, free entry and cash bar, 8pm.Long View Gallery is located at 1234 9th St. NW. Regular gallery hours are Wednesday-Saturday, 11 a.m. to 6 p.m., Sunday, 12 to 5 p.m. Free.
Your Sunday Instruction: Damage Control Artwork Screenings at The Hirshhorn
Disclaimer: I have yet to see Damage Control: Art and Destruction Since 1950, but I’ve had a lot going on. Trust me.
Today, indulge yourself by checking out this exhibit of modern and contemporary works about artistic expression and destruction. Follow up your browsing with a viewing of some film/video works you may never get a chance to see on the big screen and which aren’t part of the works in the galleries. The screening includes work by Cyprien Gaillard, Bruce Conner, Johan Grimonprez, Ant Farm, Superflex, Christian Jankowski, and Doug Aitken. You know some of these names, but not all of them.
I am most interested in Ant Farm’s Media Burn and Bruce Conner’s Crossroads form the mid-70s. They both comment on the state of America, with Media Burn satirizing the emerging media-circus state and Crossroads appropriating footage of the first underwater atomic bomb test and turning it into something altogether fascinating, fantastical and otherworldly that shows, rather than tells, a distinctly American viewpoint.
Screenings in the Ring Auditorium, split into two programs at 11am & 2pm, Sunday, March 16, 2014. Damage Control runs through May 26, 2014. Admission is free, first come first served.
It's the End of The Corcoran As We Know It, and I Don't Feel Fine
I’ve been struggling with what to say about the Wednesday announcement from The Corcoran Gallery of Art that it will cease to exist and it’s respective parts will be subsumed by the George Washington University and the National Gallery of Art. Part of the reason I’ve been having such a hard time with this, is because I am a docent there.
I found out about the decision much in the same way most others did…through an end-of-the-day email from The Corcoran saying, by the way, here’s a letter from Peggy Loar on what’s happening to us. By the time they sent the email, I already knew because I had read about it in The Washington Post and in Facebook posts (Corcoran Curator Sarah Cash’s post was probably the best one I read). From what I understand, even staff weren’t told before the Post article came out. This is the type of behavior that has become emblematic of what the Wall Street Journal described as “mismanagement on a near-epic scale.”
The demise of one of America’s oldest museums, and the first museum in this country to focus exclusively on collecting contemporary American art, is a catastrophic event for the nation, but more so for the District of Columbia and the local arts community. No other museum in Washington has had an impact on the arts community of this city like the Corcoran has had. Almost every single person I know who is an artist, a gallerist, a collector, a patron, or any other member of the local arts community has a unique relationship with the Corcoran and its school. There is no other Washington museum that can claim the same unique relationship with DC artists; not the Phillips, not the Kreeger, not the National Gallery of Art and least of all the Smithsonian.
The DC arts community loses the most by the dissolution of the museum as we know it, the subsuming of the school and the inevitable scattering of the collection. I have loved every moment of being a docent at The Corcoran and love the collection in a very personal way. When the Corcoran took down George Bellows’ 42 Kids to loan to the NGA for it’s Bellows exhibit last year I missed it so much; I would walk by where it used to hang and wish it was there. But I knew that it would be back, and when I saw it as part of the NGA exhibit (which was amazing) I was so happy to see it! It was like a visit with an old friend, and I loved seeing it in the context of the rest of Bellows’ works, but I also loved the fact that as the exhibit wound-down, I knew it would be returning to The Corcoran. When the Corcoran rehung the American collection last year, 42 Kids was back in the galleries, in a new spot, given better lighting, placement and prominence.
There are so many pieces in the Corcoran’s collection I have grown to love in peculiar ways, whether it’s the showstopper pieces like Frederic Church’s Niagara, Singer Sargent’s En Route Pour La Peche, Joan Mitchell’s Salut Tomor Hopper’s Ground Swell. Or quieter pieces like Richard Norris Brooke’s A Pastoral Visit, Jean Chardin’s Scullery Maid, Robert Mangold’s Five-Color Frame or Thomas Cole’s Departure and Return. William Wilson Corcoran collected works that were contemporary for their time, and that philosophy drove the earliest inklings he had for his collection and the museum he envisioned. He was bold in that way for his time, collecting American contemporary artists when everyone else was still obsessed with Europe.
Boldness and vision were at the core of the Corcoran’s founding, but the mismanagement of it left room for neither, or rather the lack of both contributed to the mismanagement. Real leadership is about combining vision with execution, something that the Corcoran in these last two decades never seemed to be able to achieve.
There is more to say, and more to be written on this matter. I won’t try to fit it all into a blog post here, but I felt that I needed to say something now, today. I’ve always kept the fact that I was a docent at the Corcoran anonymous, but this latest development was too much for me to continue staying silent. This heartache is real.
The Phillips Collection has plenty of enticing things they offer when they put together events, but telling me that I can make my own Lite-Brite masterpiece??? YOU BETTER NOT BE JOKING PHILLIPS!!!
This Thursday, Phillips After 5 is gonna take you Nordic—-that means simulated aurora borealis, a light show, industrial design, Olafur Eliasson, regional beers and cheeses and more. Oh yeah, and electro-acoustic jazz and a theremin. A THEREMIN. When was the last time you heard one of those played live?
If this event isn’t awesome, I am going to be so bummed out, because if you’ve got Lite-Brites, beers, a northern lights light show, a theremin and art and you can’t make it cool, you’ve got a real problem.
Nordic Lights is this Thursday, February 6, 2014 from 5-8:30pm. Reservations strongly advised. $12; $10 for students as well as visitors 62 and over. Members always admitted free, no reservation needed.
Your Sunday Instruction: See Van Gogh, Catch a Buzz, Buy Some Records
This is your Sunday. This is your plan of action:
1. See Van Gogh - The Van Gogh exhibit Repetitions at The Phillips Collection closes on Groundhog Day/Super Bowl Sunday (February 2) and I’m pretty sure you already know that visiting a high profile exhibit on the last weekend it’s open is always a bad idea, so this Sunday is your somewhat reasonable last chance.
2. Catch a Buzz - Stroll on over to Filter coffeehouse (a few blocks away from the Phillips) and grab an espresso pick me up or my favorite: the “Flat White.”
3. See Van Gogh, Again - Get your caffeinated self on the Metro and head over to the National Gallery of Art and take a look-see at what may have been Van Gogh’s last painting: Green Wheat Fields, Auvers, 1890.
4. Buy Some Records - Post Van Gogh, walk over to Penn Social for the 5th Annual DC Record Fair. Live DJs all afternoon and over 40 record dealers.
40 years is a long time to keep anything going, be it a relationship, a habit, a collection, or in this case, an arts program. This Saturday, Arlington Arts Center opens CSA: Forty Years of Community-Sourced Art which surveys the work and careers of some of DC’s favorite artists who were incubated by AAC.
Sometimes I feel like AAC is an unsung hero of the local art scene; it’s actually a revelation to me that they’ve been doing this so long! But looking at the careers of exhibiting artists like Ken Ashton, J.J. McCracken, Nikki Painter, Erik Thor Sandberg and Foon Sham and you know they gotta be doing something right.
CSA: Forty Years of Community-Sourced Art opens this Saturday, January 25, 2014 with reception from 6-9pm. Exhibit runs through April 13, 2014. Arlington Arts Center is located at 3550 Wilson Blvd., Arlington, VA.
You Are Not Alone! Balancing Creativity with Everything Else at The Hirshhorn Tonight
Finding any kind of balance in life is a challenge, but balancing creative output with “other” always seems especially tough. Tonight, hear how other artists try to manage it at the panel "Living & Sustaining a Creative Life" which is also the name of a new collection of essays by 40 practicing artists and edited by Sharon Louden. Co-panelists include local artists Patrick McDonough and Jeff Spaulding.
Also of note is the co-sponsorship of this event by Curator’s Office and American University’s Studio Art Program. Curator’s Office, sans permanent space, will be doing more programming and collaborative work this year, and this first foray of 2014 may be a good barometer of what to expect in the next year.
"Living & Sustaining a Creative Life" begins at 7pm on Thursday, January 23, 2014 at The Hirshhorn’s Ring Auditorium. Event is free but get there early as it’s first come, first served.
ICYMI: Kriston Capps’ redux on the DC gallery scene, several of last year’s losses of physical gallery space (Civilian Art Projects, Contemporary Wing and Curator’s Office) —- although the galleries themselves remain active, and more.
2014 will be an interesting year for DC’s gallery scene for sure. Also, I plan on making some new changes/adjustments as well, so stay tuned;)
Make It Rain for Local Artists: Shop Art This Weekend
Just like the fat man in the jolly red suit, you can make a list and check it twice with the art stuff you gotta do this weekend. Shopping, check. Viewing, check. Rejoicing/lamenting you are not in Miami, check. But really, back to shopping. This weekend is the weekend to do it up with some local art purchases:
Gift Buying at Corcoran’s Off the Walls - Corcoran may not have it together on some things, but they sure got organized with this snazzy online Holiday Gift Guide. But shopping in-person is always more fun, so head over to the Corc where they’ll have student, alumni and faculty work for sale. Saturday, December 7th & Sunday, December 8th from 10am-3pm, 500 17th St., NW.
GRUMP at Artisphere - Grump? Who you calling Grump, Grump? This one will be less arts, more crafts, but selling homemade stuff nonetheless.There is also a DJ and a bar (please spike my eggnog if you see me). The only hitch? You have to drive to Arlington. KIDDING! Not really. Saturday, December 7, 11am-5pm, 1101 Wilson Blvd., Rosslyn, VA.
Holiday Open Studios & Gift Sale at DC Arts Studios - I don’t even know how I got invited to this one, but there are over 40 artist studios you can tour and buy from. I am already exhausted, but I have a feeling there could be some interesting finds. Also, free dance performances while you’re lurking around, possible munchies and non-alcoholic beverages. Saturday, December 7, 12pm-5pm, 6925 Willow St., NW.
Holiday Fractal Sale at The Lamont Street Collective - Ha! If only I could get a fractal named after me. Artist Micaela Barrett is doing something with fractals, and animals. I’m pretty sure it results in something fuzzy. There will be jazz, you provide the hands. Saturday, December 7, 2-5pm.
Rock & Shop at The Black Cat - The tradition carries on! Buy art, used shtuff, records, clothing, music, whatever it is your local starving musician is trying to get rid of. This things has been going on for at least 10 years, go find something for the rocker in your life already. Sunday, December 8, 8pm - ???, Black Cat 1811 14th St., NW.
Artist Talk Tomorrow (Saturday) at Heiner Contemporary
Anytime you send me an email with a bunch of colorful liquid-filled jars, chances are I’m going to write about it. Or get hungry. And maybe thirsty. I hope this doesn’t end like in Heathers where she dies after drinking the blue stuff (spoiler alert).
Anyhow…as part of its current exhibit CURIO, Heiner Contemporary will be hosting an artist talk tomorrow morning by exhibiting artists Christine Gray, Esther Ruiz, Sue Johnson, and Caitlin Teal Price. Olivia Rodriguez (also see my post on her October show w/ Curator’s Office) and Julie Wolfe are also in the show, but not part of the talk.
I like all the artists, but Christine Gray’s paintings really rock (check out my Instagram for some photos of her work from her show at Project 4 a few weeks back). I’m tempted to say that if you like horoscopes, spells, caves, space exploration, Stevie Nicks, Tame Impala, Heavy Breathing, old high school science and geology textbooks, and Choose Your Own Adventure books then you’ll love Christine Gray.
Artist talk at Heiner Contemporary, Saturday, December 7 at 11am, 1675 Wisconsin Ave., NW (Georgetown).
Finally, I’m going to the Miami Art Fairs. I don’t really have any expectations except that I want to get some sun, support the artists and gallerists I know who will be exhibiting, see some new things and to quote Viv Savage “have a good time, all the time.”
There are plenty of DC peeps to be found in Miami this year including:
Not really, but he does purport to “tell tales of visionary artists, heroic collectors, and frustrated curators” tonight at his gallery. Click on the FB link if nothing else to see George doing his best Where’s Waldo/Steve Zissou impression!
This is also your last chance to see REPRESENT, the gallery’s 20th anniversary retrospective show. Go.
Tuesday, December 3, 2013, 6:00pm at 1515 14th St., NW.
There are only 9 days left to help local photographer E. Brady Robinson get Art Desks published. NINE DAYS.
Art Desks is a collection of photographic portraits of the desks and work spaces of artists, museum directors, critics, dealers, gallerists and more.
Brady plans on publishing this collection in the Fall of next year with Daylight Books, but can’t do so without some help so please consider contributing to her Indie Gogo campaign. Every little bit will help and there are tons of great incentives (some might make good holiday gifts—ahem private portfolio review).
So please help support local art and artists by supporting Brady in the next 9 days!
It’s a 3-day pop-up bo-nan-zaaaaaa! It’s clothes, it’s art, it’s food, it’s local. Who is participating? Only some of your favorites including: Civilian Art Projects, Transformer & Heiner Contemporary.
In addition to being open for business this weekend, you can also get tickets to rock-out in the same space Saturday night with locals DJ Will Eastman, Sunwolf & The Walkmen!
It’s that time of year again, the 10th Annual Transformer Art Auction! This is truly an event that combines the local art glitterati, too much drinking, excellent DJs and a general shit show/trainwreck of an evening…and I mean that in the best way possible. And hey, you get to bid on some cool art, get exposed to some of D.C.’s most beloved artists, and maybe even come away with some stories of your own. This “Art Prom” is definitely worth the ticket price!
Saturday, November 15, 2013 at The Corcoran Gallery of Art. $175.00 per person.
Saturday Picks: 7 Art Events I Might See You at Tonight
Today, I am too lazy to be clever; and I gotta save my energy for all the art (and music) I’m about to get up into today and tonight.
E.Brady Robinson at Addison/Ripley - LOVE her and not sure why I keep putting off her offer to photograph my desk. The desks really do say it all, especially about what the creative mind looks like in an abstract kind of way. 3-6pm at Addison/Ripley.
Winter Recap at Honfleur Gallery - If there’s ever a reason to get to SE DC, Honfleur is usually one of them. This show pulls together work by Katherine Tzu-Lan Mann and Gustavo Diaz Sosa amongst others. 5-9pm at Honfleur.
Looking Ahead at Randall Scott Projects - I don’t love a lot of the artists included in this show, but I do like James Busby, so go for him. 6-8pm at RSP on H St., NE.
MFA Open Studio at American University - See what the “kids” are up to! I don’t even know who they are, which means this could be a boom or bust event. 6-9pm at American in Upper NW.
Exposure at Catalyst Projects - This one gets a shout out specifically to support local musician (Apes, Heavy Breathing), photographer and all-around town lady creeper Amanda Kleinman. Go Kleiny! 6-9pm in Brookland, NE.